TOO GOOD TO BE TRUE
BLOG 151
TOO GOOD TO BE TRUE?
I was
fascinated by the First-Tier Tribunal decision earlier this year in The Roald
Dahl Museum and Story Centre v HMRC.
This was a VAT case. The museum
is tiny as museums go. In the year to 31
March 2012, it attracted 56,075 visitors (a bit over 1,000 a week) who paid
admission fees of £225,359. The museum
shop almost matched that income at £223,979.
The museum also has a venue for corporate meetings. The room hire for such meetings is charged on
a per capita basis and delegates are entitled to also visit the museum.
The museum
was partly exempt. It made exempt
supplies of admissions, taxable supplies of room hire and taxable (largely
zero-rated) supplies in the shop. The
partial exemption rules say that expenditure used solely to generate exempt
supplies must be matched to those supplies and as such is not deductible as
input tax. Expenditure used solely to
generate taxable income is similarly matched with that income and deductible in
full. Where expenditure is incurred to
generate both exempt and taxable supplies, it is residual input tax and has to
be apportioned (subject to a de minimis exemption) in the ratio that exempt
supplies bear to taxable supplies for the year, with the part apportioned to
taxable supplies being deductible. The
test as to whether expenditure is attributable to taxable or exempt supplies is
whether there is a direct and immediate link between the expenditure and the supply.
The Museum
has exhibits in two galleries, the Bay Gallery and the Solo Gallery. It spent a bit over £500,000 on the
refurbishment of the Solo Gallery. Much
of this was on building within the gallery a replica of Roald Dahl’s writing
hut, which stands in the garden of his home, and transporting to it the
contents of the actual writing hut.
The Museum
claimed that the £100,000 VAT on the refurbishment was residual input tax, so
claimed to deduct roughly 50% as being the part apportioned to the taxable
supplies. HMRC said that it related
solely to the exempt admission charges, so no part of it was deductible.
The Museum
claimed that the items sold in the shop are designed to compliment the displays
and is very much part of the visitor experience. It also said that the museum could not
survive without the shop. The Tribunal
said that neither of these created a direct and immediate link between the shop
sales and the gallery. All of the items
sold in the shop could be sold in any shop anywhere and, indeed, that is what
happens. Accordingly the museum is not
essential to the shop. Therefore there
was no direct or immediate link between the shop sales and the gallery
refurbishment.
The Museum
next claimed that as it gave free museum admission for corporate events, the
galleries were directly linked to such taxable events. The Tribunal disagreed. It felt that a company was only buying the
room hire. The right of admission to the
museum was not an aim in itself, but simply a means of better enjoying the
conference room. Accordingly
refurbishing the galleries did not have a direct link to the room hire. The proximity to the museum might make the
venue a desirable one for corporate events, but the event could still be
conducted successfully without any delegate visiting the museum.
It is
questionable whether that is the right test.
The museum director had given evidence that companies are very much
looking for an inspirational venue for their meetings and therefore that
unlimited access to the galleries was a key factor in them choosing to hire the
room. It is not clear why the Tribunal
did not accept that gave a direct link between the gallery and the room
hire. It seems to have started from the
point that the right of the entry to the museum was simply part of the supply
of conference space. While that may be
right, that does not answer the question whether the refurbishment of the
museum is a cost component of the supply of conference space in the same way
as, for example, putting pictures on the walls of the conference room would
be. Whether or not there are pictures on
the walls would not prevent the conference taking place but if the existence of
the pictures is an important factor in a customer’s mind, it is surely a cost
component. Why should museum entry be
different?
Be that as
it may, the Roald Dahl Museum had one last throw of the dice. It had commissioned the writing of a book, “Inside
Roald Dahl’s Writing Hut”. This contains
descriptions and explanations of the items in the hut exhibit. There are tethered copies of this book inside
the gallery which visitors can look at when viewing the hut display. This was felt more sensible than to have, for
instance, touch-screen displays in the gallery to explain the items. It had the added benefit that extra copies
could be sold in the shop. The museum
had 1,000 copies printed even though it only needed a few in the gallery. Eureka!
The Tribunal accepted that this book was a cost component of the
£500,000 gallery refurbishment. The
refurbishment was driven by the writing hut exhibit and the books tethered
beside the exhibit were integral to a visitor’s enjoyment of that exhibit. The cost of producing the book was also a
cost component of the VATable copies sold in the bookshop. Accordingly the expenditure was partly to
service VAT exempt visitors and partly to supply VATable book sales. The tax was therefore residual and the museum
was entitled to recover £50,000 of VAT!
I don’t
often feel sorry for HMRC, but I do on this occasion as the decision seems to
me to defy commonsense. I accept that
tax is not always logical, but it mainly is.
It would be logical for the VAT on the cost of producing the book to be
residual input tax. But it seems a huge
leap to say that, because the book serves two functions, the cost of creating
the replica hut, of altering the Solo Gallery to accommodate it, and of
transporting the exhibits from the actual hut to the replica and displaying
them, also serves two purposes. That
seems to me to turn the facts on their head.
The book is a commentary on the display; the display was not created to
enable the book to be written. So how
can the costs of the display be a cost component of the book? They are clearly not.
I am in the
process of having my house redecorated.
I am writing this blog at my desk at home which is in a redecorated
room. I may draw inspiration from the
newly painted wall in front of me, so the decoration of that little bit of wall
could be directly related to this blog.
But I would not have the nerve to claim that makes the redecoration of
my entire house a cost component of this blog.
In the
museum’s case, the whole £500,000 for the refurbishment (including the production
of the book) seems to have been paid to a single supplier, Outside Studios. However it is hard to see that this makes a
difference. If the museum asked Outside
Studios for a breakdown of its bill, it would surely get it. The cost of the book may be significant
because it may have required a lot of research.
But even so, it is hard to envisage it exceeding more than 10-15% of the
cost of the refurbishment. It would make
sense to regard the part of the cost that relates to the book as residual. It makes no sense to treat the entire cost of
the refurbishment as residual.
I have used
a single builder for my redecorations.
Perhaps I should have a rethink.
Maybe I am entitled to treat the whole of the cost of redecorating my
house as residual because a few square feet of wall space has inspired by blog!
ROBERT MAAS